Caryn Rose

His most memorable moments with the Stones aren’t five-minute drum solos, but rather small, precise elements that could only have been created by Charlie Watts.

Squares and orbs of colored kinetic sand fall out of the sky from an unseen hand into a glass vessel. Then an implement descends, usually a cocktail muddler of some sort, wooden or metal or acrylic, to squish and tamp and compress the sand out of its initial shapes into a uniform glob. Then more squares and orbs, more tamping, more sand, and more compression until the container is full.

R.E.M. is your favorite band's favorite band. They've influenced countless musicians and had an immeasurable impact on the following decades of indie rock. Veteran music journalist Caryn Rose takes us through the lifespan and wide-ranging impact of Athens, Georgia's own R.E.M.

SPRINGSTEEN: HIS HOMETOWN, the exhibit currently on display at the Monmouth County Historical Society (located in — wait for it — his hometown of Freehold), opened in September 2019 with a splash. There are three more weeks left to check it out.

Peter Dennis Blandford Townshend tells you everything you need to know about his first real solo album[1], Empty Glass, with the (literally) iconic cover image: Pete as an angel, with his sacrament (brandy) in front of him, flanked by acolytes, two beautiful women offering their best come-hither looks. It is a record both casually and deathly spiritual, with Townshend engaged in the latest plane of the spiritual inquest he’d been engaged in since 1968’s Tommy.

Marsh conference brings together Nona Hendryx & Bruce Springsteen

Accepting Woody Guthrie honor, Springsteen talks and plays 4-song set

Land of Hope and Dreams Spotlight: Jon Landau and Caryn Rose, with a message from Pete Townshend

The 1978 tour in support of Darkness on the Edge of Town seemed to span a lifetime in E Street years. Out from under the yoke of the lawsuit that had prevented Bruce Springsteen from recording new music (and kept the E Street Band on the road for two years as a way to move forward and, quite frankly, pay the bills), '78 was about freedom and redemption, of definitely and defiantly planting the E Street flag on solid ground.

From the collected satire of The Hard Times to the queering of Karen Carpenter, these books captivated our staff and contributors this year.

The country's most distinguished gospel artist, Sister Rosetta Tharpe, arrived in Washington, D.C., to perform a sold-out concert. Sister Tharpe spoke to your reporter before her sold-out concert, sitting on her customized tour bus parked outside the venue. The bus — which Sister Thorpe believes is the first of its kind! — is emblazoned with the words SISTER ROSETTA THARPE - DECCA RECORDING ARTIST, painted in a bright and distinctive blue script along the side of the bus.
Sister Tharpe and he...

The Center Won’t Hold, Sleater-Kinney’s ninth album, is about ambition, desire, and fear.

Hollywood came to Asbury Park Wednesday night with the official premiere of Blinded by the Light, the Gurinder Chadha film based on Sarfraz Manzoor’s memoir, Greetings From Bury Park.

Blinded by the Light should probably have been called Badlands, because it embodies the song’s key lyric: “It ain’t no sin to be glad you’re alive.” The film, which was adapted by screenwriter and director Gurinder Chadha (Bend It Like Beckham), gleefully and unironically feels like living inside a Springsteen song, complete with angry fathers, dead-end towns, young love—hell, there’s even a dying factory.
The story draws loosely from screenwriter Sarfraz Manzoor’s 2007 memoir Greetings From ...